DRAWS/DIBUJOS/DESSINS – REMED & THE ARTS

ANRAMI, REINA DE COPA. Cultivating the Line, part II.

When I create. Sometimes past pass by and try to claim his place. Someother time, futur just show up on the paper, as a sign, or a door, a possibility.

Most time, I draw the present.

The continous large lines, the Curve, consciously moving through the page, allows the piece to evolve in a larger timespace, and so to represent a larger period, a sort of evolving instant. If once the lines are chosen the representation of the period you where in seems and instant rather than a journey, the process of drawing each curve in one fluid gesture feels like expressing a huge field of unrevealed possibilities.

Here is the Queen Anrami, Reina de Copa.

Detail of ANRAMI, Reina de Copa. 100x70cm. Gouache. 2015

I just seen the face of this woman birth, and loved her smile.

As her structure grew, I realized the global piece would miss information on the upper left corner, so I had to guess what she would hold in her hand, or what would be around her, what her context would be…

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CULTIVATING THE LINE. Part I.

So here I am assimmilating a bit more of who I am, writing few words about what I felt, seen or did…if some of you read the earlier posts about “The Art of freestyle”, one know I love the line, for its instantaneous factor, emerging truth of the ego, of the “I” in the “Now”.

So I often start with the line that draws the profile of a face, a sort of reflect, a witness. A referent. And I see what I couldn’t before, I trust what I would have doubt, thanks to my hand moving on the paper.

Au delà de Moi. Gouaache sur papier. 30x40cm

While in Madrid between the journeys through Earth, I took a gouache marker and drew lines after having forseen them in the white empty space, so that someone would appear in front of me.

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REMED, 3TTMAN, GREMS, ZBIOK @ PURE EVIL GALLERY. London

For the exhibition each one of us had to choose a “special power” his alter-ego could own. And a name for this. Mine was “THE REALUSIONIST”. The one that can erase the frontier between imagination/illusion and reality.

Here is how he looks like.

Ink on grey paper. 30x15cm. Remed. 2010

Part of the exhibition was a few draws we made all 4 togeteher. Pure spontaneity too, the gesture of one of us influencing the gesture of his brother..

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DUALITY

GOOD REMAIN WITH LIGHT.

by Remed.

50x70cm. Last step of the “DUALITY” serie.

Acrilic and pen on paper.2009.

This is one draw from a serie of free hand style with pen. Was tired of being to perfectly straight while drawing/painting the line on my canvas. Thanks to this serie, i’m working on a multilayers freestyle diptic on canva.
FREESTYLE REFRESH

P e a c e

Remed
Ps: i’ve understood the feelings i had while drawing a few days after having made them, while staring at them. l’art comme remède.

Birds serie. Acrylic and pen on paper. 2009

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LOVE WE DAR

by Fefe TALAVERA & REMED.

Acrylique, cut paper and pen on fat paper.
60 x 85cm. 2009.

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LOVE GOES ON

By Remed.

fat pen on paper. A4.

This is the sketch of the next couple love canva. It s the end of the serie, that will allow me to start a new one.
After i finish the two first couple love, i was really happy of the result, and i tried to make a third one, made more than 25 sktech without being happy with any of them. A few mounths later, i came back on that, and the third sketch was the right one. Amdulah ! viva el arte, vive el amor!

L O V E

Remed

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